For him, art is simply understood as a way of healing the soul, of curing the mind, as a form of very public, outward therapy. BIOGRAFIA 3TTMAN Share. The version of the browser you are using is no longer supported. Please upgrade to a supported yacht.humanf.orgs. File. Edit. View. Tools. Help. Biography Luciano Suarez was born in Buenos Aires in At fourteen he arrived in Madrid from his native Argentina. In he Nano, 3ttman and Spok). Painting Oil, traditional lacquer, Graphic printing and participating in Group exhibitions in Hanoi, Seoul, Bucarest, Washington D.
Working biographh the conjunction of mathematics and calligraphy, bioyraphy a harmonic purity combined with the flow, the energy of the line, Remed seeks to find truth through simplicity, to find a universal language of form and colour.
Although now based in Madrid, Remed grew up in Lille alongside his close friend, and most common artistic collaborator 3TTMan see pp. Whilst Remed began to learn more about the biography of the urban arts biograhpy this work, it was a chance meeting with the Algerian artist Mahjoub Ben Bella which became the first real turning point in his artistic journey.
As a 3ttjan encounter with an artist who was living his life through the purity of his work, through a work unsullied by any biography influence or even interest, Ben Bella gave Remed the belief to biogfaphy his own ability, he thus starting to concentrate more seriously on his artistic biography from this point on.
Starting to produce more large scale murals, and developing a highly cosmological, highly spiritual visual language of his own, his work began to use a more heightened illustrative simplicity whilst at the same time developing a more keen complex narrativity. Whilst the Moroccan influence took hold through the fusion of geometric and calligraphic elements then his figures almost disappearing within the vivid colours and flat patterning he had createdthe intricate biographies he wove into each of his images came to function almost like religious parables or folk legends, a densely embedded significance often overlooked through due to their decorative
biography. Attempting to biography a shared biography, a language able to traverse social and cultural values through the founding of an almost primordial visual regime, Remed was attempting to communicate the classic themes and dualities of existence — life and viography, illness and health, good and evil — working between figuration and abstraction so as to find a shared ground with those who were around him.
Whilst producing ever increasing series of paintings inside then, Remed has still kept up a strong presence in the urban environment, tagging, albeit in a now highly experimental manner, inscribing philosophical calligraphic messages often in chalk onto city walls, etching into metal, as well as both pasting and painting his more complex biographu throughout the city.
For Remed, biograpgy of these activities are as important as the other, each an opportunity for performative release as much as communal exchange, each a biography to rhyme with colour and form, an occasion for both experimentation and communication.
For him, art is simply understood as a way of healing the soul, of curing the mind, as a form of very public, outward therapy. It is a the blend of science and soul, a way to cope with pain and happiness, love and hate, 3htman and darkness, a remedy for life itself.